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Meet the Characters of Speakeasy: A New Broadway Musical 🎭✨

  • Writer: Waymon Hudson
    Waymon Hudson
  • Aug 24
  • 3 min read

Updated: Oct 13

A queer, jazz-soaked Romeo & Juliet for Broadway — and my life story in disguise.


Why These Characters Matter


When I set out to write Speakeasy: A New Broadway Musical, I wasn’t just writing a love story set in a 1920s speakeasy. I was writing myself. Every character carries a shard of my history — my queerness, my survival, my defiance, my humor, and my joy.


Like the underground clubs of the Pansy Craze in the 1920s and ’30s, Speakeasy is a place where forbidden lives found light. And just like those real-life sanctuaries, the Velvet Boot (our central club) is where these characters — and my story — come to life.



Jules Delaney from Speakeasy: A New Musical — a young white woman in a champagne flapper dress, fierce yet vulnerable. As the daughter of a cop and a crusader, Jules embodies rebellion, truth-seeking, and queer desire in this 1920s-inspired Broadway musical about love, identity, and defiance.

✨ Jules Delaney: The Voice That Refuses to Stay Silent


Raised in a strict religious home by a police officer father and a crusading mother, Jules embodies the side of me that grew up in suffocating silence. But Jules doesn’t stay quiet. She’s fierce, questioning, and aching to break free.


Her arc mirrors the fight so many queer kids know: the battle between obedience and authenticity. Jules is my reminder that sometimes the bravest thing you can do is speak up, even when the world tells you to hush.



Rome Moretti from Speakeasy: A New Musical — a soft-hearted Latinx man in a white shirt and suspenders, gazing out under the night sky. Born into a world of bootlegging and violence, Rome must choose love and truth over bloodlines in this queer Broadway musical inspired by Romeo and Juliet.

💔 Rome Moretti: A Poet in a Violent World


Rome is born into a bootlegging empire — liquor, fists, and legacy. But beneath his tough exterior beats the heart of a romantic. He’s the part of me that yearned for tenderness in a world that demanded hardness.


Rome’s story is about rejecting legacy in favor of love, poetry over violence. He’s my softness, my yearning, my proof that vulnerability is its own revolution.




Merc DeLuca from Speakeasy: A New Musical — a muscular Black Queer man in a glittering black vest, smiling on stage at the Velvet Boot. Merc is Rome’s best friend and protector, representing queer courage, humor, and chosen family in this Prohibition-era Broadway musical with LGBTQ+ history at its heart.

🔥 Merc DeLuca: Comic Relief with a Wound


Rome’s best friend and confidante, Merc is sharp-tongued, flamboyant, and endlessly funny. He’s the part of me that survived by cracking jokes — even when I was falling apart.


Merc’s humor masks a deep well of unspoken longing and resilience. He embodies queer fire: the kind that laughs in the face of danger and loves louder than the world allows. If Jules is my voice and Rome is my heart, Merc is my survival instinct — fierce, funny, and unafraid.




Miss Addie from Speakeasy: A New Musical — a strong Black queer woman in a navy 1920s dress, standing with quiet power in warm stage light. Addie represents resilience, found family, and the voice of survival in this Broadway-bound queer musical set during the Prohibition era.

🎶 Miss Addie: The Quiet That Became a Roar


Miss Addie has helped rasied Jules with a watchful eye and a heavy heart, but helped plant the secret seed of rebellion her . A Black queer woman who’s learned survival by keeping her head down, she represents the part of me that stayed silent for too long.


But Addie has a breaking point. Her arc is about reclaiming her voice and using it to lift others. She’s my late-in-life roar — proof that while silence can protect you, your voice can save you.



🪩 The Velvet Boot & Its Patrons: Found Family in the Shadows


The Velvet Boot patrons in Speakeasy: A New Musical — drag queens, butch bartenders, queer musicians, and flappers gather together in 1920s attire. This underground speakeasy represents sanctuary, found family, and the rebellious joy of the Pansy Craze, central to the show’s queer Broadway story.

The Velvet Boot isn’t just a nightclub — it’s a character. Inspired by the real underground clubs of the 1920's Pansy Craze, it’s a world where drag queens, flappers, butch bartenders, jazz musicians, and queer dreamers gather.


Its patrons are more than background; they’re the heartbeat of the show. Diverse, defiant, messy, and gorgeous, they echo the chosen families I’ve built in my own life. Their songs and stories remind us that joy itself is resistance.


The Bigger Picture of Speakeasy: A New Broadway Musical – My Story in Their Voices


Speakeasy: A New Musical neon logo — glowing golden martini glass and lettering on black background. The Broadway-bound queer jazz musical reimagines Romeo and Juliet in a 1920s Chicago speakeasy, celebrating LGBTQ+ history, music, and survival.

Put together, these characters form a tapestry of my life:


  • Jules is my defiance.

  • Rome is my tenderness.

  • Merc is my survival.

  • Addie is my voice reclaimed.

  • And the Velvet Boot is the queer sanctuary I always needed.


Yes, Speakeasy is a new Broadway-bound jazz musical. But it’s also my memoir set to music. Every character is a piece of me. Every note is a survival song. And every time the curtain rises, I hope someone in the audience feels seen — like they’ve just walked into their own Velvet Boot.



Read more Behind Broadway Breakdowns:

And read the arc on Broadway's Soft Boys, Masculinity, and Rome's arc in Speakeasy:

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