Broadway’s Queer Emcees & the Power of Invitation
- Waymon Hudson

- Oct 19
- 4 min read
Updated: Nov 19

Some musicals start with a bang. Others start with a spotlight and a wink.
And sometimes, that wink changes everything.
Broadway has long had a thing for its emcees — those charismatic ringmasters who don’t just perform in the story but frame it. They break the fourth wall. They tease us, challenge us, flirt with us. They pull us into worlds that exist just beyond society’s reach — smoky clubs, hidden cabarets, spaces where the rules don’t apply.
And often? Those emcees are queer.
💋 The Queer Tradition of Invitation

Think about it:
The Emcee in Cabaret — seductive, dangerous, hilarious, and heartbreakingly aware that the party can’t last forever.
Lola in Kinky Boots — fierce, fabulous, and leading with love while reshaping what masculinity means.
Angel in Rent — the radiant heart of the show, teaching an entire generation that joy is the bravest act of all.
Hedwig in Hedwig and the Angry Inch — using humor and pain to demand to be seen.
Broadway Queer Emcees all do the same thing: they welcome us in — not as spectators, but as participants in their revolution.
Their stage isn’t just entertainment. It’s sanctuary.
🎭 The Velvet Boot Opens Its Doors

That’s exactly what happens in Speakeasy’s opening number, “Come to the Speakeasy.”
The lights go dark. A coded knock echoes. And then — Merc.
He’s not just introducing a scene. He’s conjuring a world.
🎶 There’s a knock to know, a code to keep,
🎶 Where rules fall back and jazz don’t sleep.
With that, we’re in the Velvet Boot — a queer underground speakeasy pulsing with brass, sweat, and joy.
Merc struts through the haze like a preacher at a drag mass. He’s glitter and grit, sass and sorrow, a man who’s built a found family under threat of raids and ruin.
The brilliance of the number is how it hides heartbreak beneath its joy. He’s smiling, teasing, snapping his fingers — but every beat says: Come inside. You’re safe here. You’re home.
🎶 Come to the speakeasy —
🎶 No names, no rules, no hate, no shame.
🎶 Where saints and sinners toast the same. 🎶 Come find the music, drown out the blame,
🎶 Just knock three times… forget your name.
🌈 The Power of Broadway Queer Emcees & Invitation

In a world that tells queer people to hide, to quiet down, to blend in — Merc’s invitation is radical.
When he sings “Come to the speakeasy,” it’s more than a party anthem.
It’s a call to communion.
It’s defiance disguised as delight.
Like the emcees before him, Merc doesn’t just entertain us. He protects us.He gives the audience permission to exhale, to believe in joy again — even when the world outside would rather silence it.
💔 The Man Behind the Glitter

But Speakeasy doesn’t stop at the surface.
As the show unfolds, Merc becomes much more than the fabulous ringmaster.
Behind the smile, there’s longing — for Rome, for safety, for a world where love doesn’t require disguise.
And yet, he keeps the music playing.
Because that’s what queer emcees have always done: kept the show alive when no one else could.
“Come to the Speakeasy” isn’t just a number — it’s a promise.
To lead us through the smoke and the pain, into something beautiful.
To make joy the loudest rebellion of all.
🎧 Listen to “Come to the Speakeasy”
📺 Watch all the “Behind Broadway” video episodes: Step into the spotlight behind the spotlight. Behind Broadway is your backstage pass to how musicals really work — from iconic song structures to emotional arcs, queer storytelling, and the hidden craft that makes theater magic. Whether you’re a theater kid, a casual fan, or a future Tony winner in disguise — welcome to the show behind the show.
Read more Behind Broadway Breakdowns:
Learn about classic broadway song structure and Jules' character arc in Speakeasy:
Read the arc on Broadway's Soft Boys, Masculinity, and Rome's arc in Speakeasy:
And now we're starting on Queer Broadway, longing, love, and Merc's arc in Speakeasy:
And follow Addie's journey as we explore rebellion, freedom, and breaking the mold:
This Is Speakeasy
Speakeasy is a bold, queer, jazz-drenched musical set in a 1920s underground nightclub where rebellion is a love language and music is a lifeline.
Created by Waymon Hudson (that’s me!), it’s a reimagined Romeo & Juliet with drag queens, bootleggers, and big Broadway heart.
Come inside.
The music’s playing.
And your truth belongs here.










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